Category Archives: Theatre

Best Tax-System ever?

Imagine a system of taxation where only the rich contribute, while middle and lower class citizens don’t have to pay any taxes. On top of that, imagine that in this system, the rich love to pay their taxes and they sometimes compete who’s going to pay more!

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Choragic monument of Lysicrates (335/334 BCE)

Sounds crazy? The monument of Lysicratres in Athens, stands as a solid proof that this crazy idea was once a reality! It was erected by a very wealthy citizen of Athens (Lysicrates) 24 centuries ago and he was a sponsor of musical performances at the theater of Dionysus. One of those performances got him the award of first prize.

The way citizens were taxed in ancient Athens was genius! Whenever Athens was in need of cash, the state didn’t have to draw funds from the public treasury. The rich were called upon and they acted as sponsors. This is what the Athenians called ‘choregia’ or as we know it today: sponsorship.

This financial contribution rather than being enforced by the state it was seen as a voluntary gesture that showed that rich citizens did care about their fellow citizens. It showed that the rich were true citizens (polites) and not private citizens (idiotes). And that’s the level of awesomeness that the Athenian democracy reached.

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Oscar Wilde – Euripides

A Vision

TWO crownèd Kings, and One that stood alone

  With no green weight of laurels round his head,

  But with sad eyes as one uncomforted,

And wearied with man’s never-ceasing moan

For sins no bleating victim can atone,

  And sweet long lips with tears and kisses fed.

  Girt was he in a garment black and red,

And at his feet I marked a broken stone

  Which sent up lilies, dove-like, to his knees.

  Now at their sight, my heart being lit with flame

I cried to Beatricé, “Who are these?”

And she made answer, knowing well each name,

  “Æschylos first, the second Sophokles,

  And last (wide stream of tears!) Euripides.”

Oscar Wilde .  Poems.  1881.

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Euripides. The last of ‘The Marvelous three’ Athenian theatre play writers. The most rebellious one. His criticism on religion -and the Olympian Gods in particular- and his attacks on traditional, social and moral values were infamous, earning the dislike of many of his fellow citizens. Even one of the most open minded audiences of the ancient world, the Athenians, had trouble understanding him.

Later he became immensely popular.  Theatre goers and play writers alike since then, bow before his talent and unprecedented boldness.

As Oscar Wilde explains:

“For though Euripides has not the Titan strength of Aeschylus, that Michael-Angelo of the Athenian stage, nor the self-restraint and artistic reserve of Sophocles, yet he has the qualities that are absolutely and entirely his own. His broad acceptance of the actual facts of life, his extraordinary insight into the workings of the human mind, his keen dramatic instinct for scene and situation, and his freedom from theological prejudice, make him the most interesting of studies. He was a poet, a philosopher and a playwright……..

…….He saw indeed that men and women as they are, are more interesting than men and women as they ought to be. He never tried to make humanity real by exaggerating its proportions. He cared little for giants or for gods. the sorrows of mortals touched him more than all the gladness of Olympus”